ARTIST DIARIES

AGOSTO, 2026. TEXTO POR NOAH BECKER. Piece with artist magazine. Carollyne Yardley y Natsumi Goldfish: El legado de Vermeer en el mundo contemporáneo por Noah Becker (@whitehotmagazine) Johannes Vermeer, el […]

AUGUST, 2026. WORDS by NOAH BECKER. Piece with artist magazine. Carollyne Yardley and Natsumi Goldfish: Vermeer’s Legacy in a Contemporary World by Noah Becker (@whitehotmagazine) Johannes Vermeer, the 17th-century Dutch […]

PINTORA. JEREZ DE LA FRONTERA, CÁDIZ. ESPAÑA ANA BARRIGA HABITA LA MEMORIA COLECTIVA A TRAVÉS DE LA TEXTURA, DONDE LO TRIDIMENSIONAL ROMPE EL PLANO Y EL BRILLO SE CONVIERTE EN […]

PAINTER. JEREZ DE LA FRONTERA, CADIZ. SPAIN ANA BARRIGA INHABITS COLLECTIVE MEMORY THROUGH TEXTURE, WHERE THE THREE-DIMENSIONAL BREAKS THE PLANE AND GLOSS BECOMES NARRATIVE. HER HANDS DO NOT PAINT, THEY […]

PINTOR. TIFLIS, GEORGIA. ALEXANDER VARVARIDZE SE ALEJA DE LA URGENCIA A TRAVÉS DE SU OBRA, QUE LENTIFICA LA MIRADA Y EXIGE CONTEMPLACIÓN DESDE UN LUGAR DE PAUSA. EL PIGMENTO, QUE […]

PAINTER. TBILISI, GEORGIA. ALEXANDER VARVARIDZE STEPS AWAY FROM URGENCY THROUGH HIS WORK, WHICH SLOWS THE GAZE AND DEMANDS CONTEMPLATION FROM A PLACE OF STILLNESS. THE PIGMENT, ONCE HEAVY, TRANSFORMS INTO […]

JULIO, 2026. TEXTO POR AURONDA SCALERA Y ALFREDO CRAMEROTTI Contra la imagen fácil Se nos pidió que nombráramos a tres artistas que creemos que moldearán lo que viene después. La […]

JULY, 2026. words by aURONDA SCALERA & ALFREDO CRAMEROTTI. Piece with artist magazine. Against the easy image We were asked to name three artists we believe will shape what comes […]

PAINTER. OAKLAND, CALIFORNIA. USA MIKE O’GUINN (1986) MOVES AWAY FROM URGENCY THROUGH HIS WORK, WHICH SLOWS THE GAZE AND DEMANDS CONTEMPLATION FROM A PLACE OF PAUSE. PIGMENT, ONCE HEAVY, TRANSFORMS […]

PINTOR. OAKLAND, CALIFORNIA. EE. UU. MIKE O’GUINN (1986) SE ALEJA DE LA URGENCIA A TRAVÉS DE SU OBRA, QUE LENTIFICA LA MIRADA Y EXIGE CONTEMPLACIÓN DESDE UN LUGAR DE PAUSA. […]

CURADORA. NUEVA YORK. EE.UU. JINYI FREYA XU (2002) ES CAPAZ DE CONSTRUIR EXPOSICIONES Y ENCUENTROS. CADA PROYECTO ES UN DISPOSITIVO PARA LAS RELACIONES, UN MAPA DE TENSIONES ENTRE LA IDEA […]

CURATOR. NEW YORK. USA JINYI FREYA XU (2002) IS ABLE TO BUILD EXHIBITIONS AND ENCOUNTERS. EACH PROJECT IS A DEVICE FOR RELATIONS, A MAP OF TENSIONS BETWEEN IDEA AND MATERIALIZATION. […]

JULY, 2026. WORDS BY MAŁGORZATA KAŹMIERCZAK . Piece with artist magazine. Rivers of Resistance Some artists represent the world. Others intervene in it. The practices of Tania Cortés Becerra & […]

JULIO, 2026.TEXTO POR MAŁGORZATA KAŹMIERCZAK . Piece with artist magazine. Ríos de Resistencia Algunos artistas representan el mundo. Otros intervienen en él. Las prácticas de Tania Cortés Becerra & Oscar […]

Junio, 2026. texto por chunmbum park. Piece with artist magazine. Sabrina Puppin, Ph. D., es una artista nacida en Italia y radicada entre Nueva York y Qatar, cuyas pinturas abstractas […]

June, 2026. words by chunmbum park. Piece with artist magazine. Sabrina Puppin, Ph. D., is an Italian-born artist based in New York and Qatar whose abstract paintings explore the abstract […]

PINTOR. CERNAY-LÈS-REIMS. FRANCIA LUDOVIC DERVILLEZ (1973) NO CONSTRUYE SUPERFICIES, SINO TIEMPOS. CADA LIENZO ES UN ARCHIVO DE GESTOS EN RETIRADA, UN REGISTRO DE LO QUE OCURRIÓ Y DECIDIÓ BORRARSE. LEJOS […]

PAINTER. CERNAY-LÈS-REIMS. FRANCE LUDOVIC DERVILLEZ (1973) DOES NOT BUILD SURFACES, BUT TIMES. EACH CANVAS IS AN ARCHIVE OF RETREATING GESTURES, A RECORD OF WHAT HAPPENED AND DECIDED TO ERASE ITSELF. […]

PAINTER. AMSTERDAM. NETHERLANDS SHE PAINTS LIKE SOMEONE REVISITING A HALF-LIT ROOM. NOT TO DECORATE IT, BUT TO LISTEN TO WHAT REMAINS. HER FIGURES ARE NOT PORTRAITS BUT PLACES, INTERIORS WHERE […]

PINTORA. AMSTERDAM. PAÍSES BAJOS ELLA PINTA COMO ALGUIEN QUE VUELVE A UNA HABITACIÓN A MEDIA LUZ. NO PARA DECORARLA, SINO PARA ESCUCHAR LO QUE QUEDA. SUS FIGURAS NO SON RETRATOS […]