Michael O’Guinn

PAINTER. OAKLAND, CALIFORNIA. USA MIKE O’GUINN (1986) MOVES AWAY FROM URGENCY THROUGH HIS WORK, WHICH SLOWS THE GAZE AND DEMANDS CONTEMPLATION FROM A PLACE OF PAUSE. PIGMENT, ONCE HEAVY, TRANSFORMS […]

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Mike O’Guinn

PINTOR. OAKLAND, CALIFORNIA. EE. UU. MIKE O’GUINN (1986) SE ALEJA DE LA URGENCIA A TRAVÉS DE SU OBRA, QUE LENTIFICA LA MIRADA Y EXIGE CONTEMPLACIÓN DESDE UN LUGAR DE PAUSA. […]

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Entrevista a Jinyi Freya Xu

CURADORA. NUEVA YORK. EE.UU. JINYI FREYA XU (2002) ES CAPAZ DE CONSTRUIR EXPOSICIONES Y ENCUENTROS. CADA PROYECTO ES UN DISPOSITIVO PARA LAS RELACIONES, UN MAPA DE TENSIONES ENTRE LA IDEA […]

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Jinyi Freya Xu Interview

CURATOR. NEW YORK. USA JINYI FREYA XU (2002) IS ABLE TO BUILD EXHIBITIONS AND ENCOUNTERS. EACH PROJECT IS A DEVICE FOR RELATIONS, A MAP OF TENSIONS BETWEEN IDEA AND MATERIALIZATION. […]

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CHAPTER 2: MAŁGORZATA KAŹMIERCZAK

JULY, 2026. WORDS BY MAŁGORZATA KAŹMIERCZAK . Piece with artist magazine. Rivers of Resistance Some artists represent the world. Others intervene in it. The practices of Tania Cortés Becerra & […]

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CAPÍTULO 2: MAŁGORZATA KAŹMIERCZAK

JULIO, 2026.TEXTO POR MAŁGORZATA KAŹMIERCZAK . Piece with artist magazine. Ríos de Resistencia Algunos artistas representan el mundo. Otros intervienen en él. Las prácticas de Tania Cortés Becerra & Oscar […]

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Ludovic Dervillez

PINTOR. CERNAY-LÈS-REIMS. FRANCIA LUDOVIC DERVILLEZ (1973) NO CONSTRUYE SUPERFICIES, SINO TIEMPOS. CADA LIENZO ES UN ARCHIVO DE GESTOS EN RETIRADA, UN REGISTRO DE LO QUE OCURRIÓ Y DECIDIÓ BORRARSE. LEJOS […]

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Ludovic Dervillez

PAINTER. CERNAY-LÈS-REIMS. FRANCE LUDOVIC DERVILLEZ (1973) DOES NOT BUILD SURFACES, BUT TIMES. EACH CANVAS IS AN ARCHIVE OF RETREATING GESTURES, A RECORD OF WHAT HAPPENED AND DECIDED TO ERASE ITSELF. […]

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Peggy Kuiper

PAINTER. AMSTERDAM. NETHERLANDS SHE PAINTS LIKE SOMEONE REVISITING A HALF-LIT ROOM. NOT TO DECORATE IT, BUT TO LISTEN TO WHAT REMAINS. HER FIGURES ARE NOT PORTRAITS BUT PLACES, INTERIORS WHERE […]

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Peggy Kuiper

PINTORA. AMSTERDAM. PAÍSES BAJOS ELLA PINTA COMO ALGUIEN QUE VUELVE A UNA HABITACIÓN A MEDIA LUZ. NO PARA DECORARLA, SINO PARA ESCUCHAR LO QUE QUEDA. SUS FIGURAS NO SON RETRATOS […]

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Biblioteca Nacional de Irán

1 de Junio, 2026. TEXTO POR GONZALO VIEDMA. Piece with artist magazine. Bienvenidos a la nueva sección de PWA: PAGES & PILLARS, en la que hablaremos de edificios relevantes, sobre […]

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National Library of Iran

1st June, 2026. words by GONZALO VIEDMA. Piece with artist magazine. Welcome to the new PWA section: PAGES & PILLARS, where we will talk about relevant buildings, especially libraries around […]

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CHAPTER 1. THE ART BY STANDER

may th, 2026. words by ROLAND-PHILIPPE KRETZSCHMAR. Piece with artist magazine. Three Painters of the Unstable Self Elsa Rouy, Sasha Gordon, and Yu Nishimura belong to different generations and contexts, […]

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CAPÍTULO 1. THE ART BY STANDER

mayo, 2026. texto por ROLAND-PHILIPPE KRETZSCHMAR. Piece with artist magazine. Tres pintores de lo inestable Elsa Rouy, Sasha Gordon y Yu Nishimura pertenecen a generaciones y contextos diferentes, pero coinciden […]

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En el Acto de Mirar.

24 abril, 2026. TEXTO POR James payne (@Greatartexplained). Piece with artist magazine. Durante gran parte de su historia, el arte se ha presentado como algo lejano, algo que está custodiado […]

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In the Act of Looking.

APRIL 24th, 2026. words by James payne (@Greatartexplained). Piece with artist magazine. For much of its history, art has been presented as something distant, something that is guarded by institutions, […]

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